The Logic of the Incomplete.
My practice examines how perception becomes narrative. I approach images not as representations but as structures where time, displacement, memory and material tension accumulate and reshape themselves.
Working with photography, collage, performative marks, digital traces and experimental materials, I juxtapose intention and accident. Many works begin with observation yet are rewritten through fragmentation, intervention or reassembly, allowing the image to gain a new internal logic.
I am drawn to the incomplete, the fractured and the invisible. These subtle disruptions are often what reveal the emotional and structural layers beneath the surface.
